National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Form as a space for expressing musical ideas
Ulrichová, Zuzana ; Nedělka, Michal (advisor) ; Váňová, Hana (referee)
Forma jako prostor pro vyjádření hudební myšlenky Title of the Diploma Thesis: Form as a space for expressing musical ideas Abstract: The Diploma thesis deals with form as a meaningful space for expressing and developing musical ideas. The theoretical part describes various aspects of musical forms and elaborates the basic principles of musical forming. It also compares several books on the topic of musical forms concerning their use in pedagogical practice. Another part presents research on the topic of musical forms teaching. The chapter on pedagogical applications introduces ideas about presenting forms in music classes with the use of productive activities.
Form as a space for expressing musical ideas
Ulrichová, Zuzana ; Nedělka, Michal (advisor) ; Váňová, Hana (referee)
Forma jako prostor pro vyjádření hudební myšlenky Title of the Diploma Thesis: Form as a space for expressing musical ideas Abstract: The Diploma thesis deals with form as a meaningful space for expressing and developing musical ideas. The theoretical part describes various aspects of musical forms and elaborates the basic principles of musical forming. It also compares several books on the topic of musical forms concerning their use in pedagogical practice. Another part presents research on the topic of musical forms teaching. The chapter on pedagogical applications introduces ideas about presenting forms in music classes with the use of productive activities.
Theology of music
NOSKOVÁ, Blanka
This thesis deals with relationship of music and theology. It stems from history of development of the philosophic judgement on the notion of ?musica? in antiquity as well as from the contemporary conceptions and definitions of music. Subsequently it proceeds to the presentation of selected writings of both historical and contemporary theologists? dealing with the subject of the art of music. Based on their analysis this thesis comes to the conclusion that a relationship between theology and music indeed exists and their dialog mutually enriches both of these disciplines. Music transcends the limited capabilities of speech and with its own instruments it speaks about the infinite God. This central thought at which the thesis arrives, is concretely documented in musical activities and pieces of work by selected composers of classical music.

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